How They Pulled It Off: Offcuts and Leftovers Spruce Up a Cozy Victorian Flat

Welcome to How They Pulled It Off, where we take a close look at one particularly challenging aspect of a home design and get the nitty-gritty details about how it became a reality.

When glass artist Juli Bolaños-Durman purchased a dated Victorian flat in Edinburgh in desperate need of updates, she knew that the renovated space would mirror her approach to her own creative work, in which she transforms found objects into colorful sculpture. And so began a highly collaborative journey to find offcuts and other leftover materials and repurpose them into a home designed specifically for her taste.

Juli turned to Alexander Mackison of Edinburgh design studio Architecture Office; the pair had struck up a friendship at Custom Lane, a shared workspace for creatives. Juli works with waste materials and "her ethos runs through her work and also her personal life very strongly," explains Mackison. "That was obviously the clear starting point, which is a great brief because it gives you a strong idea of a project but then there’s flexibility within that." Together, they applied the very same approach as her glasswork to the flat, in Leith.

At the project’s outset, the flat "was a time capsule for sure," says Mackison—one that needed significant work. But their dedication to reuse started from the very outset: "It was a case of stripping it back to the bare bones as such, but being very careful with that process of understanding what is of value." Hence the treatment of the hardwood floors found under the existing carpet throughout the flat. The kitchen in particular had been subjected to "quite an intense ’70s adhesive," Mackison explains. "I don’t really know what it was, but it left quite a lot of black marks." Rather than scrap the floors, though, they leaned in. The black marks remain visible under very light finishing, which they then balanced with a high-gloss finish on the skirting boards.

For the rest of the project, they turned to the local community of craftspeople. "Through discussion, talking about her work, [Bolaños-Durman] gathers interest and buy-in from people who are keen to work on the project," explains Mackison.

How they pulled it off: A flat finished with offcuts

• The kitchen cabinets (by Studio Silvan) are made from several different types of wood, brown oak, oak, cherry, Douglas fir, and ash—all Scottish timbers, cascading from dark to light. The Douglas fir panel was the shortest, so it was tucked under the sink. Done out of necessity, the effect highlights the individual qualities of each wood: "You really understand the grain of each timber next to each other," says Mackison. Ash dividers tie it all together.