The architect and professor is reviving his family’s Colorado property, from its old mud homes to the 3D-printed structures that have caught the world’s attention.
Ronald Rael dons a big furry hat while he splits logs into small pieces, tossing them into a wheelbarrow. In every direction, clouds swirl. The skies of Colorado’s San Luis Valley grow increasingly dark and ominous, and it begins to snow. Contrary to popular belief, desert climates—especially high-altitude ones like these—aren’t always scorching hot. Rael hauls his load back to the house, kicks off his boots, and takes an armful of the chopped chunks inside. The open kitchen is a toasty refuge from the inclement weather. Rael, who wields a Swiss Army knife of titles, spanning from designer to professor, author, artist, and entrepreneur, opens the steel hatch on the side of his woodburning stove and stokes the fire.

Using his great-grandfather’s construction as a nexus of sorts and continuing to make adobe buildings and sculptures on the land, Ronald Rael is putting La Florida on a path toward becoming a place for more like-minded thinkers to stay and create. "There will be places for people to make interesting work and interact with the landscape," explains Rael of one of his many visions for its future.
Desert by Design: Creative Minds, Arid Places, Tailor-Made Spaces
"This was not a place anyone lived full-time," Rael explains of the extreme alpine desert where he grew up. "The Utes didn’t live here. The Navajos didn’t live here. This was merely a hunting ground, a seasonal spot." The territory is characterized as a closed basin, a unique geological formation in which the snowmelt that runs off the southern Rocky Mountains settles directly into the valley below. "There is practically an ocean under us," Rael says. From bitterly cold winters—so cold that Rael remembers newborn calves weaseling their way into the warm house—to swampy springs replete with biblical plagues of mosquitoes and frogs to the finally idyllic summers, this corner of the earth has made human settlement a particular challenge. Nevertheless, some people, including Rael’s ancestors, eventually made a life here.
His great-grandfather, Miguel Francisco Barela, built an adobe home in the tiny unincorporated village of La Florida. A three-room, pitched-roof construction, which transformed into an L-shaped dwelling with a 1960s addition, housed the patriarch and his family for decades. "I grew up with my great-grandparents, my grandparents, my aunts, and my uncles," Rael recalls. "Twenty-five members descended here to eat, and they all lived in the little houses out beyond." Rael looks back with wonder at how his grandmother catered to such a hungry clan mostly from an earth oven outside the house. "She fed the whole town," he smiles.

Surrounded by windows on three sides, a bedroom with wood-paneled walls retains vestiges of its sixties past and remains a work in progress. While debating the long-term layout of his now abode, Rael has made homey additions to his quarters, like a painted canvas in adobe by his partner, the artist Joanna Keane Lopez, found rocks, and one of three prints from Icy & Sot, the multidisciplinary art practice of Iranian-born, Brooklyn-based brothers Saman and Sasan Oskouei.
Desert by Design: Creative Minds, Arid Places, Tailor-Made Spaces

In collaboration with Anderson Ranch Arts Center, Rael worked with cast aluminum and bronze to form objects based on his 3D-printed models. The garage-turned-workshop adjacent to his home, which houses power tools and practical elements of life on the farm, has also been a factory of experimentation.
Desert by Design: Creative Minds, Arid Places, Tailor-Made Spaces
See the full story on Dwell.com: Ronald Rael’s Experiments With Adobe Are Only Getting Started
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By: James Burke, Molly Mandell
Title: Ronald Rael’s Experiments With Adobe Are Only Getting Started
Sourced From: www.dwell.com/article/ronald-rael-future-of-adobe-home-building-3d-printed-homes-fdf94b70
Published Date: Wed, 06 Aug 2025 15:53:45 GMT
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